320 studios is proud to welcome the next installation of the contrast art show, an art exhibition which puts together a variation of artists, artistic movement groups, and several upcoming galleries in an attempt to show the rising styles and trends of art in new york city. a multifaceted show of beauty, performance and the creative spirit will split the night once again, in the form of 20 of new york’s top underground artists coming together all under one roof, alongside with live performances and body art presented to us by valerie vanone and tracy von becker, a live painting session by chelsea greene lewyta, an aerialist performance by catherine herrmann and a dancing light performance presented by catherine galasso.
we welcome onlookers to share in our own artistic revolution. come and watch the beginning of the future art world coming to a bloom. join us for a night of excitement, exuberance, and most of all beauty. for more details on the space itself feel free to check out the website at www.320studiosnyc.com $5 donation recommended, but not required. no RSVP necessary.
"there are two ways through life. the way of nature and the way of grace."
... this is where terrence malick's ( badlands, the thin red line, the new world ) ambitious, perplexing new film the tree of life ran into problems with his fatally flawed brilliance. it is an attempt at evoking answers to questions towards the universe, much like stanley kubrick's 2001: a space odyssey, solidified by great performances from its cast, and a series of audacious sequences captured in breathtaking cinematography. unfortunately, malick concentrated on the concept through visual poetry so much that he somehow seemed to have fallen short on the narrative. though this is quite a rare kind of film, i cannot help but compare it to darren aronofsky's the fountain. both have stunning visual imagery with cerebral, metaphysical concepts, accompanied by nothing but a deep sigh of disappointment and exhaustion.